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The Magik Markers
w/ Stables / Elizabeth / Inecto School / Chora / Bologna Pony
Matilda Social Centre, Sheffield, UK. May 10. '06. A Noisedoll Basement Event

Another awesome night in Sheffield's dingy backstreets. This time in the old 'occupied' factory complex of the now dubbed 'Matilda Social Centre'. The fact this squatted venue is on the edge of the corporation tinged CIQ (Cultural Industries Quarter) adds to the energy of events like this being held here. Before their set, I asked Leah Quimby of the Markers if she felt the added excitement based on the place being raided three times last year, but nothing more than the general pleasure of life passed across her face. I'd got to know the band a little and felt honored to escort them from the station, loading up my pushbike with bags and showing them down two flights of stairs right to the stage with their luggage..how was I to know there was a huge dressing room right by the front door complete with sofas, hot dinner and wine?!

So it was in a dark, 60ft sq basement room adjoined by a complex of similar concrete floor gig spaces (once machine rooms) that I found myself really getting off on the atmosphere... hehe. Incidentally when I first started Freenoise I was very conservative about my own event legalities and formalities (being a family man you know..) but as time goes on and more and more corruption of the soul..er, I mean confidence in the trade occurs, the possibilities of utilising 'other' venues open up.

Stage, lights, PA, desk and even bar in place; six great acts ahead and loads of happy faces, old and new. You can't take nights like this for granted. Hey, The Magik Markers are in town! And some of the support acts seemed to be on top form, Chora particularly excelled themselves in my opinion, giving it loud and full wellie for 30 mins.

 


What happened to result in around a quarter of the people disappearing just prior to the Markers coming on I'll never know, but I don't give a shit either; their loss. Lights down low and the usual total blur of a beginning to their set means time to put in a new tape and feel totally relaxed. Yeah, relaxed is how I want to feel at a gig, inwardly, I don't want to get caught up in the artist's urgent need to please, or other complex bull so often hinder to unique talent in countless towns..blah blah. The Markers emit an awesome tajalli and I feel I'm putty in their hands within minutes as an electronic hellfire whining clears a space for the two high priestesses of free guitar noise and Pete whispers into a mike while delivering a dirge of a black magician's funeral march rhythm... Elisa is hunched over the red strat while lamenting and wailing undecipherably into the mike. Leah looks a bit drunk and totally with the atmosphere, now remeniscent of an early TG gig; very, very dark and noisy as hell. The drumming is getting more manic and two evilly timed repeated chords compete for distorted, tunelessness as Elisa now assumes her trademark crouched guitar-love on the floor. I'm hearing an essence of sound that conjures a mix of Joplin, Damo Suzuki, TG and Patti Smith and I've forgotten for the longest time ever at a gig that I'm filming. Elisa's the anti-heroine scrabbling round on her knees, for a moment wrestling with a faulty lead, and as Leah wails in true out of tune pain the music pauses for Elisa to tell her counterpart in a husky Kentucky drawl '..don't press you face up against that rusty screen, just come out here with me..don't press your breasts up against that rusty screen...don't I look a friend to you..' and they both assume a fake crying sound like two girls in genuine communication of each other's doom and mortality; darkly honest. 25 mins in now and Pete has ditched his laptop samples (ever seen anyone operate a laptop whilst drumming?) in favour of complete attention to cerrrraazzy bashing like a beating; solid walls of axe distortion and feedback compete and there's a moaning like a murder or a highly charged sex act. As Elisa is seriously wriggling and jiggling on her feet whilst facing her ex-partner Pete you can sense there's a little more than pure rhythm going down here (Elisa later explains to me that the energy from the split and ensuing tension aids the music; no doubt).

 

It suddenly stops and after huge cheering Elisa banters with the crowd a little, joking about the low mike volume being the fault of her spitting into it, cue loud spitting noise, it gets pumped up and her 'Hey!' is echoed by everyone in the room. We are back as the final number commences, a filthy, uber-slow blues beat with a sensation recalling that dream when you're trying to run through invisible syrup.. a short visitation and she humorously announces it's our final chance to get up and dance... Leah quips about the plastic shark she's playing the guitar with now implies she means business...and we're off again, this time Elisa sings a beautiful melodic refrain over well-fucked up Leah feedback. She must be winning as Leah overtakes belting out some of her loudest wailing over the top, Nolan is beating the shit out of the drumkit faster than ever (whose drumkit is it anyway?) to rally the girls into a final all out frenzy of everything.

I was very pleased to be invited back for drinks in Ben's house and I wouldn't have missed it for the world: shopping with the band for grub and ale in Ecclesall Rd at 2am I'll never forget and returning for a chat was the icing on an amazing evening. All in the name of business of course... ; ) ...Genuinely cool folks, makes the world a happier place. Rock it.

Poor quality film stills (anyone send me any good pics?)




 

Vid

(5 mins of Markers)

-12mb (.wmv)

Elisa's message

Visit

The Magik Markers

The dearies at Ecstatic Peace have kindly put up a small edited movie I made of the night
(includes Inecto School / Stables / Chora / Bologna Pony as well as the Markers and fun with other eminent guests)

Ecstatic Peace

Promoter

Noisedoll Basement

and

Thanks to cool Matilda folk!

 

"It's wrong to call the Magik Markers no wave and it's wrong to call them noise. While no wave is itself a deconstruction, if anything, the Magik Markers are deconstructing it one more iterative step. The entire discography of Teenage Jesus could almost fit inside "White Bikini," "Hero For Our Times," or "Just a Child," and the Magik Markers use that whole space to find the neurotic tick, agititate it and build it up to a fever pitch, and then convulse."
-Fake Jazz

This page last edited by a nonny moose on 13 May 2006

 

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