The Magik Markers
w/ Stables / Elizabeth
/ Inecto School / Chora / Bologna Pony
Matilda Social Centre, Sheffield,
UK. May 10. '06. A Noisedoll Basement Event
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Another awesome
night in Sheffield's dingy backstreets. This time in the old 'occupied'
factory complex of the now dubbed 'Matilda Social Centre'. The
fact this squatted venue is on the edge of the corporation tinged
CIQ (Cultural Industries Quarter) adds to the energy of events
like this being held here. Before their set, I asked Leah Quimby
of the Markers if she felt the added excitement based on the place
being raided three times last year, but nothing more than the
general pleasure of life passed across her face. I'd got to know
the band a little and felt honored to escort them from the station,
loading up my pushbike with bags and showing them down two flights
of stairs right to the stage with their luggage..how was I to
know there was a huge dressing room right by the front door complete
with sofas, hot dinner and wine?!
So it was
in a dark, 60ft sq basement room adjoined by a complex of similar
concrete floor gig spaces (once machine rooms) that I found myself
really getting off on the atmosphere... hehe. Incidentally when
I first started Freenoise I was very conservative about my own
event legalities and formalities (being a family man you know..)
but as time goes on and more and more corruption of the soul..er,
I mean confidence in the trade occurs, the possibilities of utilising
'other' venues open up.
Stage, lights,
PA, desk and even bar in place; six great acts ahead and loads
of happy faces, old and new. You can't take nights like this for
granted. Hey, The Magik Markers are in town! And some of the support
acts seemed to be on top form, Chora particularly excelled themselves
in my opinion, giving it loud and full wellie for 30 mins.
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What happened to result in around a quarter of the people
disappearing just prior to the Markers coming on I'll never
know, but I don't give a shit either; their loss. Lights
down low and the usual total blur of a beginning to their
set means time to put in a new tape and feel totally relaxed.
Yeah, relaxed is how I want to feel at a gig, inwardly,
I don't want to get caught up in the artist's urgent need
to please, or other complex bull so often hinder to unique
talent in countless towns..blah blah. The Markers emit an
awesome tajalli and I feel I'm putty in their hands within
minutes as an electronic hellfire whining clears a space
for the two high priestesses of free guitar noise and Pete
whispers into a mike while delivering a dirge of a black
magician's funeral march rhythm... Elisa is hunched over
the red strat while lamenting and wailing undecipherably
into the mike. Leah looks a bit drunk and totally with the
atmosphere, now remeniscent of an early TG gig; very, very
dark and noisy as hell. The drumming is getting more manic
and two evilly timed repeated chords compete for distorted,
tunelessness as Elisa now assumes her trademark crouched
guitar-love on the floor. I'm hearing an essence of sound
that conjures a mix of Joplin, Damo Suzuki, TG and Patti
Smith and I've forgotten for the longest time ever at a
gig that I'm filming. Elisa's the anti-heroine scrabbling
round on her knees, for a moment wrestling with a faulty
lead, and as Leah wails in true out of tune pain the music
pauses for Elisa to tell her counterpart in a husky Kentucky
drawl '..don't press you face up against that rusty screen,
just come out here with me..don't press your breasts up
against that rusty screen...don't I look a friend to you..'
and they both assume a fake crying sound like two girls
in genuine communication of each other's doom and mortality;
darkly honest. 25 mins in now and Pete has ditched his laptop
samples (ever seen anyone operate a laptop whilst drumming?)
in favour of complete attention to cerrrraazzy bashing like
a beating; solid walls of axe distortion and feedback compete
and there's a moaning like a murder or a highly charged
sex act. As Elisa is seriously wriggling and jiggling on
her feet whilst facing her ex-partner Pete you can sense
there's a little more than pure rhythm going down here (Elisa
later explains to me that the energy from the split and
ensuing tension aids the music; no doubt).
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It suddenly
stops and after huge cheering Elisa banters with the crowd a little,
joking about the low mike volume being the fault of her spitting
into it, cue loud spitting noise, it gets pumped up and her 'Hey!'
is echoed by everyone in the room. We are back as the final number
commences, a filthy, uber-slow blues beat with a sensation recalling
that dream when you're trying to run through invisible syrup..
a short visitation and she humorously announces it's our final
chance to get up and dance... Leah quips about the plastic shark
she's playing the guitar with now implies she means business...and
we're off again, this time Elisa sings a beautiful melodic refrain
over well-fucked up Leah feedback. She must be winning as Leah
overtakes belting out some of her loudest wailing over the top,
Nolan is beating the shit out of the drumkit faster than ever
(whose drumkit is it anyway?) to rally the girls into a final
all out frenzy of everything.
I was very
pleased to be invited back for drinks in Ben's house and I wouldn't
have missed it for the world: shopping with the band for grub
and ale in Ecclesall Rd at 2am I'll never forget and returning
for a chat was the icing on an amazing evening. All in the name
of business of course... ; ) ...Genuinely cool folks, makes the
world a happier place. Rock it.
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Poor quality film stills (anyone send me any good pics?)
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Vid
(5 mins
of Markers)
-12mb
(.wmv)
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Visit
The
Magik Markers
The dearies at
Ecstatic Peace have kindly put up a small edited movie I made of the
night
(includes Inecto School / Stables / Chora / Bologna Pony
as well as the Markers and fun with other eminent guests)
Ecstatic
Peace
Promoter
Noisedoll
Basement
and
Thanks
to cool Matilda folk!
"It's
wrong to call the Magik Markers no wave and it's wrong to call them
noise. While no wave is itself a deconstruction, if anything, the Magik
Markers are deconstructing it one more iterative step. The entire discography
of Teenage Jesus could almost fit inside "White Bikini," "Hero
For Our Times," or "Just a Child," and the Magik Markers
use that whole space to find the neurotic tick, agititate it and build
it up to a fever pitch, and then convulse."
-Fake
Jazz

This page last edited by a nonny moose on 13 May 2006
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